Open Secret: Screening, Book Launch + Workshop with Rhayne Vermette
Screening + Conversation
21 October, 1 pm
The Screening Room, 120 Princess St, Kingston, ON
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Ste. Anne (2021)
As a party wanders into the night, word arrives that Renée has emerged from obscurity. This cataclysmic moment ignites Modeste’s awkward reunion with his older sibling. Renée has been missing for years and her presence unsettles the family, which also includes her own daughter, Athene. As Renée begins to form her dreams from fragments of her past, ominous premonitions disrupt the land.
Shot over the course of two years, Ste. Anne traces an allegorical reclamation of land through personal, symbolic and historical sites across Treaty 1 Territory, the heartland of the Métis Nation.
The screening is followed by a conversation with Rhayne, as well as co-editor of Exovede in the Darkroom, Irene Bindi, moderated by Nasrin Himada.
Book Launch + Workshop
22 October, 1:30 pm
Agnes Etherington Art Centre
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Rhayne and participants have the opportunity to engage in a more intimate setting as we use this time to gather to talk, discuss, inquire about Rhayne’s practice, and workshop ideas and strategies as we watch and listen in context. We'll explore sound and vision through varied studies of how rhythm and harmony instruct varied processes in storytelling and filmmaking.
Copies of Exovede in the Darkroom: The Films of Rhayne Vermette are available for purchase.
"While Stephen Broomer and Irene Bindi address the form, feel, and context of Rhayne Vermette's filmography, they also take readers further in by meditating on her lyrical style- its textures, its poetry, and unique histories it's informed by, all the while remaining deeply knowledgeable of what has made it so singular in Canadian Cinema and beyond. This is a spellbinding book that soaks in and celebrates the beauty of Vermette's films” – Adam Piron, co-founder COUSIN, and Indigenous Program Director, Sundance Film Festival
Exovede in the Darkroom: The Films of Rhayne Vermette
Rhayne Vermette's films are opulent collages of fiction, animation, documentary, re-enactment, and acts of divine interruption. Her astounding feature film Ste. Anne mesmerized the film world internationally with its visually resplendent story of a return. In Exovede in the Darkroom: The Films of Rhayne Vermette, film writers and fellow artists explore her powerful body work encompassing both Ste. Anne and her 16mm short films. These critical and poetic responses celebrate the unruly and intimate practice of a singular film artist.
Co-edited by Stephen Broomer and Irene Bindi with contributions from Rhayne Vermette, Jennifer Smith, Claudia Sicondolfo, Suzanne Morrissette, Joshua Minsoo Kim, Sky Hopinka, José Sarmiento Hinojosa, Gwynne Fulton, Janet Blatter and Irene Bindi.